It is a tale of history that is a decline. A fraying of social fabric, as mistrust enters into the interactions between neighbors. From a way of living where to be Jewish was inconsequential to social relations, to the way that being Jewish became an accusation.
The story of Jews in the Middle East does not fold smoothly into a Jewish narrative of oppression, and many Egyptian Jews can trace their families’ arrival in Egypt to an escape from persecution, whether from pogroms or the Spanish Inquisition. The history of the Jews in Europe has been told such that it becomes the history of all Jews, and it is a deeply politicized narrative, its folds influenced by Zionism, such that the history of the Jews without a homeland is simply one of persecution, and that Israel offers a solution to that perennial condition.
The Jews of Egypt tell a different story. So different was this story that, even for those who did not oppose Israel for political reasons, it simply did not resonate or speak to them. As a French journalist, the daughter of an Egyptian Jew, says: “It did not occur to the family to go to Israel. That was a place for oppressed Jews, so it wasn’t for us.”
“Laila Mourad,” a man says near the start of the film, “she was great.” But on hearing that she was Jewish, he takes his praise back. There is only one comment of this sort in the film; it is not an exploration of contemporary Egyptian perceptions of Jews. Rather, this comment acts as a pointer to contemporary reality, and in a sense, because it is so near the start, the rest of the film is a kind of answer or a rejoinder to it.
The stories become darker. There’s the story of the officer who arrives at night, giving an entire family a number of days within which to leave their country. And these are stories also of resilience — the man who says to the officer, “I am more Egyptian than you,” the one who challenges the officer at his door not to “challenge the patriotism standing before him,” or the one who answers the officer’s suggestion that he leave to Israel with, “No, why don’t you go to Israel.”
The film offers a tale characterized by warm memories, but also a tale of how friendships, work relationships and neighborly interminglings can become poisoned by the machinations of a regime and its propaganda machine. It is a tale of how it is easier to poison than it is to get the poison out.
via Edwebb’s Favorite Links on Egypt from Diigo http://www.egyptindependent.com/news/forgotten-chapter-history-egypt-and-jews